Monday, August 9, 2010

Onwards through the sky

My trip to California was awesome: I spent time with Bradlea's family, met her sister and hung out in her gaming command center of an apartment, spent time with the four resident cats in Bradlea's mother's house (Orange Kitty, Antwon, Panathinaikos, and Spoilsbury, who actually lives in New Jersey most of the time, but got to go back to San Diego to visit too,) went to Disneyland, traveled around LA, San Diego, and San Francisco, and got enough authentic Mexican food to hold me over for at least 6 months.
As great as all of that was, I am still able to say that, quite possibly above all of that, my shows were the best part... life changing even!

First up was Los Angeles.
The venue used to be called Vlad The Retailer, or something to that effect, but was converted in under 24 hours by Emily Blong into the Broken Velcroe Carnival.
There is no way to entirely do the venue's transformation justice, but here are two pictures from the place to give you an idea:



(I don't know who took these photos, but the entire set these come from is fantastic!)

All of that was hand-made by Emily, and that's just a small portion of everything she did.
It's been since Bubblegum Octopus' very first show in 2006 that I've wished for something comparable to that set-up for a performance, so that in and of itself was really special for me. It's only made better by the fact that the big pink guy in the second picture was apparently made specifically for my performance.
(We took some promotional photos with me leaning on that guy, but they are a bit blurry.)

My set was met initially with some problems... the amount of power strips being used created some grounding issues, preventing my theremin and the rest of my noise rig from doing anything except electrocuting me, so I just disconnected everything and played with just the KP3, my laptop, my mic, and my DD3.

Throughout the course of my set I managed to spill coke on a power strip, have my table of equipment and my theremin knocked the fuck over, and got so hot and tired that I actually had to take off clothing (I hate taking off clothing in public. It's not a self-conscious thing, I just don't like it for some reason.)
All of it was worth it though, because the audience made it probably my best set so far.
To me, having your shit knocked over by an uncontrollable and enthusiastic crowd is a milestone, so I was actually not angered at all by it... unlike Bradlea and a few other audience members.
(Nothing was broken or even hit the ground, so there was no reason for any ill-will, really.)

Here are some pictures Gabe Bautista took of my set:






I guess it was just the combination of factors that made this such a memorable and truly magical night.
The decor, being across the country, the joyous atmosphere, and the unusually appropriate line-up would have been enough, but I think it was the company that made it extra special.
The crowd was full of characters.
Not your typical weirdos and creeps, nor a group of unremarkable fellows with names I can recall; this was a party where almost everyone invited had a distinct personality that could almost be read off of their faces alone.
People from the internet that only existed as messages, comments, and pictures in my mind came to life before my eyes.
Taylor, D. Bene, Emily, Peet, and a handful of other people all felt like old friends or classmates to me too, right from the start.
I managed to be very anti-social throughout the show, as I often am, but I feel like I could have just hung out with all of them without a second thought if they'd asked me and if I wasn't in such a glorious daze.

I think it should be noted that the fact that I'm able to say that about Peet is indeed a noteworthy thing that I shouldn't let go unaddressed... I think enough people know about the semi-sordid past.
There was a time when he would have called me an uninspiring joke and I would have called him another Nintendo fanboy, digigrind wannabe chump, but all past quarrels and ill-will have been resolved and mutual respect and friendship are finally instated... and I love those things!
He really is a good guy.
The same can actually be said for almost everyone at that show, actually (with a few exceptions that probably aren't worth mentioning.)

I dunno what it is, but I just wished the show would have never ended.


It really does, by the way, feel like, between that and the dozens of other valuable connections, friendships, reconciliations, severance from toxic influences, immense life changes/decisions I've made this year, and strides I've made to curb my negativity and cynicism, that I'm transforming myself into quite a better and different person and that I really might have a happy future ahead of me.



Anyway, San Diego was pretty damn fantastic too.
There were a few fans who came for me specifically, including someone who I knew from some fan-art submission, but none of them were the people I was expecting.
Some last.fm users I've seen around the site who came specifically for Nero's Day ended up totally getting into my set, too. I really love the feeling of winning people over, especially those with good taste.

Sam, the guy behind SD Noise and Zsa Zsa Gabor, was an extremely kind host, and all artists played outstanding sets.
Take Up Serpents played a pretty entrancing ambient/drone set, Nerfbau destroyed ears with extremely harsh noise, Mincemeat Or Tenspeed rocked an extremely mental all-pedal/sampler/sequencer dancey/trancey/noisy set, and Nero's played his brand of wacky, sickening breakcore with live drums (the crowd was pretty massive for his set. Apparently SD is his home town.)

I wish I had some pictures or video to show for it, but all I have for now is the awesome poster for the show:




Last night was my first show since I've been back in NJ, and my first local show since January.
An extraordinarily short-notice show in Brooklyn at "Party Expo" with friends from Florida (Lissajou and Strangelette,) and Beta Club Field Trip.
Attendance was small, but the crowd did include chiptune all-star Bit Shifter, friend from the Take Control Tour, Rhinostrich, Dylan Sparrow (of Giggle The Ozone and other bands,) some other friends of mine, and random passers-by who were terrified by or enamored with what I was doing.

The sound guy/girl (dunno who was doing it) was kind of fucking with me I think, which I'm not so cool with, but there were no real problems, just some completely ridiculous shifts in the frequency spectrum (treble being shaved, bass blasting and then dropping off entirely, etc etc etc.) but the beginning and end of my set sounded really heavy and clean.

No pictures yet except for this wacky one with Strangelette and Lissajou, but more will exist!






In other news:
• I have more shows in Brooklyn on the 19th (Ultra Death Men @ Bar Matchless w/ Palmyra,) the 26th (BgO @ Goodbye Blue Monday w/ Xrin Arms and Speak Onion,) and the 27th (BgO @ Port D'or w/ Xrin Arms and Speak Onion.)

• The split with Les Trucs will be out pretty soon on CD instead of 7", and their side rules.
Hopefully mine will match! (out on Solace Media Corporation.)

• I will be releasing the Les Trucs split, the Scissor Shock split (remastered,) Take Control (remastered,) My God Is The Cat King, and a bonus track or two together as an iTunes only album. I don't have a name or art yet, but I will soon!

• The Ultra Death Men album (Muscles) is still being mixed

• I'm in the midst of recording Bad Happy and it's going decently. Send me good vibes so it goes perfectly!!

• Trying to do another mid-west stint in September. I have the projected schedule on Facebook. Help me out!!


West coast, I mean it now... I will be back soon... and in full force.

Wednesday, June 23, 2010

The Cat's Consfusion (updated)

I have some updates and some overdue, micro-tour show reviews for you:

Michigan was pretty fun, visited family, got stuck in some terrible storms, and played two fun shows.
First show was Basement414, which was under-attended in comparison to the last show there, but that's okay.

I suffered from some pretty extreme derealization and panic during my set after an extremely long scream, which was captured in a picture taken in the few seconds I showed visual signs of suffering:
Photobucket
It kind of looks like it was extracted from a bad dream.
Too bad I got a speeding ticket after this show
I'm ordinarily an excessively cautious driver, not sure what went down there... never mind the fact that once I drove through Rhode Island at about 100mph.... THAT WAS ONE TIME!

Second show was awesome (it was at the Far House in Ann Arbor MI)
During Watabou's set we received the word that there was a tornado warning (which explained the torrential downpour, sharp wind, and the strange sirens going off when I went outside to get some stuff out of my car.)
The tornado warning was supposed to subside, but it carried over into my set, which was actually a pretty satisfying and tiring set. I ended up playing twice as long as I planned, including playing Loud Noise In My Room, from the upcoming split with Watabou, and Disco Party, which I haven't played in about a year.
Here was the beginning of my set:



I forgot to mention that, for this faux-tour, I decided last second to incorporate my theremin into the sets, and grabbed it on my way out of the house.

After the shows I spent a few days at my cousin's house, doing basically NOTHING.




Now for the updates:
(all track lists are subject to change and variation)

• California Bubblegum Octopus shows
(did I mention that?)
LA on the 29th with Monomate, NVR-NDR, and Brigsley Blong,
SD on the 31st with Nero's Day At Disneyland, Mincemeat Or Tenspeed, and Cheesechasers.
Hopefully at least two more will be booked soon.

• Les Trucs split 7"
To be released on Solace Media Corporation in September.
Two tracks by me and two by them. :)


• Bad Happy
After some time spent without a computer and voice issues, I've finally resumed intense work on this CD.
I'm thinking it won't be out until September now, just due to the complexity of getting a full length CD of this duration as perfect as my abilities and patience allow.
It's now 19 tracks long:

1. SpazzPop Forever!!!!~
2. Distortion Castle
3. 888 Days Meow Fast
4. Sleep Void
5. Floor of Worlds
6. Tubulidentata
7. Goodbye Light (God's Fake Laser)
8. Betrayal is okay.
9. We ARE Sick
10. Panic Moonstrike
11. Heaven Crusher Missile
12. Shovel Piledriver
13. Metallic Sheep Nap
14. Feeler than I'm old
15. Beautiful Little Towne
16. Empathetic Overdose
17. Time Zone Proclivity
18. Loud Noise In My Room
19. Sleep (with me) on celestial hill

• Ultra Death Men CD
We will be recording this on July 20th. We've been working on the songs almost daily to get them sounding tight again.
Tentative track-list is as follows:

1. Murder Burger
2. Rocking
3. Hanging Out With Cool Dudes
4. Pizza Tower
5. Song For The Ladies
6. Orel Herscheiser
7. Dogman Wilson Down Home Country Cookin'
8. Dogman Wilson Piano Lesson
9. Cell Phone Cavern

• Frame House EP
Due to the fact that I play in several bands and tour with BgO, and that Keith plays/tours with Washington Square Park all the time, we've decided that Frame House will revert to a two-piece side project. We're going to record the songs with composite drums (real playing + drum machine + samples + non-drum sounds + other percussion instruments) and release it for free on the internets to build some potential interest.

Hopefully, you loving fans can help push it to all your friends if you like it (you should do that with the free BgO album too!)


• Mob Boss shows and demos
Given that I no longer have to think of Frame House in the context of being a "band" that will play shows, I can now focus on Mob Boss as a full time band instead of a random occurrence.
It is still on the back burner, just because I have so much to do for Bubblegum Octopus and because Ultra Death Men are recording that album, but as soon as time allows for us to work on things we are going to begin rehearsing for a 5 - 7 song EP recording.


That's all for now. Thanks!

Wednesday, June 2, 2010

My God Is The Cat King

Now you can finally order the 3rd hard copy release from Bubblegum Octopus, just go to my store: bubblegumoctopus.bigcartel.com
Here is the track list:

Bubblegum Octopus
1. Zuru??
2. Mr. Yum
3. Rembowave
4. Misconception Superhighway
5. Peace in Pious Pieces
6. Discomfort & Laughing

Dental Work
7. Mental Chitlins' (Feat. Emelian Rich)
8. Palace Graves
9. Ghetto Prayers & Grizzly Bears
10. Lysergic Oatmeal/Owl Shift Hustlin'

Also, I put the first album up for full length previews on last.fm (kinda thought they were already)
I'm in the process of doing the same for the Dental Work split.. should be done.... NOW... wait... maybe not yet....


Let's see... oh!
I recorded new drum samples for Bad Happy last night with Jon from Ultra Death Men
and Palmyra.
The cymbals all sound fucking great, and I got all the splashes, muted hits, and grabbed crashes that I could ever want.
I also recorded more vocals for the album, completing almost all of the song Sleep Void.
For those of you wondering, here is the tracklist for Bad Happy:

1. SpazzPop Forever!!!!~
2. Distortion Castle
3. 888 Days Meow Fast
4. Sleep Void
5. Floor of Worlds
6. Tubulidentata
7. Goodbye Light (God's Fake Laser)
8. Betrayal is okay.
9. We ARE Sick
10. Panic Moonstrike
11. Heaven Crusher Missile
12. Shovel Piledriver
13. Metallic Sheep Nap
14. Feeler Than I'm Old
15. Time Zone Proclivity
16. Sleep (with me) on heaven hill
17. Beautiful Little Towne


Track 17 is up on myspace, but it's listed as being from Weakness Electronics, the split with Watabou.
In an act of resourcefulness and desperation, I ended up taking two songs from Bad Happy that I'd completed (Misconception Superhighway and Beautiful Little Towne) and putting them on the splits I was working on.
In the end, My God Is The Cat King came out on the third show of the tour and Weakness Electronics got pushed back temporarily.
Between Travis' dissatisfaction with his tracks, and my own dissatisfaction with mine, it didn't really make sense to put it out yet.
Because of this, I can now put Beautiful Little Towne as the closer for the CD, like it was written to be (or the second to last track, depends how I feel in the next month) and put a song with the working title Floating Black Diamonds back on the Watabou split.

I'm working diligently on this album again, alongside the split 7" with Les Trucs that they want out in July. I think it's going to be 2 tracks from each of us and it's going to be on a label.
(I'm hoping hard for colored vinyl, but that's up to whoever is printing it)

Be safe babies. I'll see you Michigan folks soon.

Friday, May 28, 2010

Free albums: part 2

The free Bubblegum Octopus album is finally out!
http://www.mediafire.com/bubblegumoctopus

Bubblegum Octopus (Possible Party: Part i)

Bubblegum Octopus (8-Legged Dance Moves [2005 demo])

c@ (oh?)

c@ (copy)

Wednesday, May 26, 2010

Free albums

http://bit.ly/cWMi7P

Black Clocks (The Unfair Segregation Of Certain Time-Telling Devices EP)
Fork Sister (Sisters of the Fork EP and Niger EP)
First Aid Squid (Stupid Party Somethingorother (The Four Meows) EP)
I Am A Hexagon (Shape Shifter Mysteries EP)

Tomorrow I should have the Bubblegum Octopus free album assembled too :D

Wednesday, May 19, 2010

Crucial Blast stocks TAFKA"8LDM"

In addition to being able to get my first album from my own store (bubblegumoctopus.bigcartel.com which has shirts and other releases) and iTunes/Amazon, you can also now grab it off of the Crucial Blast Webstore now:
http://www.crucialblastshop.net/